Media Production

One shoot, a quarter of content

Photo and video planned against your content calendar, so a single day covers reels, stills, ads and website headers.


What you get

Planned against the calendar, not the camera

The shot list comes from what you need to publish over the next three months. That is how one day produces a quarter of assets instead of forty photographs you never use.


Storyboards and shot lists approved before the day

Editing, subtitles and motion graphics in house

Delivery in every aspect ratio you publish in

Directing for people who are not used to a camera
Studio lighting rigged for a shoot

What is included

What we produce

Video

Reels and features

Short vertical content, brand films and case studies, cut from the same footage where it makes sense.

Photo

Product and people

Product stills, team portraits and location work, colour graded to your brand direction.

Motion

Graphics and titles

Animated lower thirds, subtitles and explainer sequences built from your identity.


How we run it

Four stages, no mystery in between

Stage 01

Plan

We map the shot list against your calendar and agree what each asset is for.

Stage 02

Prepare

Location, casting, styling and schedule confirmed, with a call sheet everyone gets.

Stage 03

Shoot

Studio or on location, directed so people who are not performers still look natural.

Stage 04

Deliver

Edited, graded, subtitled and exported in every ratio you publish in.

Crew working behind the scenes on a shoot

Who this suits

Brands that keep running out of assets

Teams posting daily who are always three days from having nothing left. Companies relaunching a site with no photography of their own. Groups whose product range changed and whose imagery did not.

Retail and ecommerce Hospitality Real estate Manufacturing Hotels and resorts

Common questions

What clients ask before starting

Do you travel for shoots?

Yes, across the Gulf as standard and further when the project needs it. Travel is quoted up front rather than added afterwards.

Who owns the footage?

You do, including the raw files if you want them. Usage is unrestricted for your own marketing unless a talent contract says otherwise.

Can you shoot with our staff instead of models?

Often the better choice, and we direct for it. If a shot genuinely needs a professional we will say so before the day.

Planning a shoot?

Tell us what you need to publish next quarter. We will build the shot list backwards from it.

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